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Ethnography brushed up against its paradoxical death in 1971, the day when the Philippine government decided to return the few dozen Tasaday who had just been discovered in the depths of the jungle, where they had lived for eight centuries without any contact with the rest of the species, to their primitive state, out of the reach of colonizers, tourists, and ethnologists. This is the suggestion of the anthropologists themselves, who were seeing the indigenous people disintegrate immediately upon contact,…
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Fractured Atlas is a non-profit organization that serves a national community of artists and arts organizations. Our programs and services facilitate the creation of art by offering vital support to the artists who produce it. We help artists and arts organizations function more effectively as businesses by providing access to funding, healthcare, education, and more, all in a context that honors their individuality and independent spirit. By nurturing today’s talented but underrepresented voices, we hope to foster a dynamic and…
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What happens when the viewer has the ability to control placement of letters to form words with their body and through gesture? How does this form of participation translate to art? How does the interface dictate the way the work is received? Please view Camille Utterback’s work, Text Rain, and share your thoughts.
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If you haven’t guessed from recent posts, language and text-based art have been on my mind lately. This also means I’m looking at words and reading a bit more attentively than usual. Bruce Nauman’s piece, One Hundred Live and Die, displays a wide array of short sentences with words ‘live’ or ‘die’. His simple use of nouns and verbs in neon lettering bring much more complexity to one’s understanding of life and death. Calling attention to their depth through simplified…
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Please click here to learn more about the Primary Black and White Series.
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Those who know nothing of foreign languages know nothing of their own. ~ Johann Wolfgang von Goethe – German Playwright, Poet, and Novelist
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Tim Roseborough’s language, Englyph, puts a different perspective on text-based art. At first, it’s difficult to envision Englyph as synonymous with English because it’s rather foreign (literally). As Roseborough explains in his piece, Notes In/troducing Englyph, the aim is to take what we know and make it into something we don’t know. Truthfully, if Englyph were the only mode of communication, I’m sure the reader would begin to create and affix meaning to the characters over time. Yet, who wants to brave this…
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Please click on the images above to see how these visuals relate
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