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Visualize walking into a restaurant and being handed a menu in a foreign language. Most individuals would request a menu that they could read. For Tim Roseborough, such a menu served as the impetus for his latest work: Notes In/troducing Englyph. Much like the Austrian philosopher Ludwig Wittgenstein, Roseborough examines human perception and understanding of language. […]
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What happens when the viewer has the ability to control placement of letters to form words with their body and through gesture? How does this form of participation translate to art? How does the interface dictate the way the work is received? Please view Camille Utterback’s work, Text Rain, and share your thoughts.
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Reinterpretations, remakes, and contemporary works are strategically placed throughout God Only Knows Who the Audience Is: Performance, Video, and Television Through the Lens of La Mamelle, engaging viewers in what is almost an infinite loop of observation that changes with every go-around. Douglas Davis’s The Last Nine Minutes (1977) welcomes viewers to the second floor of the exhibition. The […]
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I’m a sucker for fragmentation in art work. Displacement, imagined worlds, and elements of morphology (urban morphology) all collide in Elaine Gan’s work. It’s not an easy task to pull from a multitude of cultures and sub-cultures to create a cohesive and well executed visual landscape of diverse imagery. Gan’s approach to creating visual representations […]
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The Transmutations exhibition, at the Gray Area Foundation for the Arts (GAFFTA), closing show completely reinvigorated the art writing. I will definitely post thoughts and reflections of the show in the next few days including thoughts on GAFFTA’s awesomeness. It was one of the best closing nights I’ve EVER attended. I’m extremely proud to be […]
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We’ve all got our own ways of dealing with pain and suffering but there’s a way of expressing those emotions to the world in a productive way. One way is on the stage as a solo performer BUT it’s got to be done well to be authentic. It was a real treat to see Paolo Sambrano combine poignant […]
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