Dorothy R. Santos, Ph.D.

writer | artist | scholar

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Dorothy R. Santos, Ph.D.

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Archive

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Category: Art History

  • Photos from The Matter Within: New Contemporary Art of India @ Yerba Buena Center for the Arts

    Over the weekend, I visited the Yerba Buena Center for the Arts and saw The Matter Within: New Contemporary Art of India exhibition. I found myself making my way back to Sudarshan Shetty’s installation work. Both Untitled pieces (the above from his ‘Saving Skin’ series and the one below from his ‘Stab’ series) intrigued me. […]

    11/6/2011

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    Art, Art History, Conceptual, Culture Criticism, ethnic studies, Observations

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    bay area / contemporary art of india / exhibition / postaday2011 / San Francisco / the matter within exhibition / YBCA

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  • Destructables: A DIY Site for Projects of Protest and Creative Dissent | by Artist Packard Jennings

    I’m a huge fan of Packard Jennings. He created yet another amazing project emblematic of our time – Destructables. Please click on the image below and check out the site. A wonderful resource for creative dissent!!!

    10/30/2011

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    Art, Art and Technology, Art History, Art Theory and Movements, Creative Coding | Programming, Culture Criticism, Digital Art, Graphic Design, Interactive / Participatory Art, Internet Art, Multi Media, Observations, Performance and Conceptual, Philosophy, Social Networking, Theory

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    art and technology / di rosa / occupy oakland / occupy SF / occupy wall street / Packard Jennings / postaday2011 / quilted design / social change / social commentary / social networking / Southern Exposure

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  • The Treachery of Images

    Funny how a picture (any kind of picture) is a mere representation. I wrote a couple of posts about perception some time ago. One on eye anatomy and the other on eye anatomy related to mental capacity. So, it was great to see a Calamities of Nature comic strip paying homage to Magritte (and Foucault). […]

    8/31/2011

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    Art, Art History, Art Writing and Criticism, Perception, Philosophy

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    calamities of nature / language / michel foucault / perception / postaday2011 / rene magritte

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  • The People – SF

    Associated with the sixth edition of Yerba Buena Center for the Arts’ triennial exhibition “Bay Area Now” — a varied roundup showcasing artists inspired by the region and beyond — is a presentation by the performance troupe Big Art Group called “The People: San Francisco.” The site-specific outdoor extravaganza, which loosely recreates the story of […]

    8/26/2011

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    Art and Technology, Art History, Conceptual, Multi Media, Performance and Conceptual, Philosophy

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    big art group / performance / postaday2011 / the people – sf

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  • I need this book

    8/21/2011

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    Art History, Art Writing and Criticism, Culture Criticism, Philosophy, Theory

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    art history / art literature / contemporary art / critical theory / philosophy / postaday2011 / theory

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  • Call to Action

    Artists and writers must be brought back into the bosom of the community, or at least, if the latter is considered to be ill, they must be assigned the task of healing it. ~ Jean-Francois Lyotard, French Philosopher and Literary Theorist

    8/15/2011

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    Art, Art History, Art Writing and Criticism, Culture Criticism, Philosophy, Theory

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    art and philosophy / jean-francois lyotard / post modernism / postaday2011

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  • Dissection | Analysis

    In art the object is the work produced by art, as much containing elements of empirical reality as displacing, dissolving, and reconstructing them according to the work’s own law. Only through such transformation, and not through an ever falsifying photography, does art give empirical reality its due, the epiphany of its shrouded essence and the merited shudder in the […]

    7/21/2011

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    Art History, Culture Criticism, Philosophy, Theory

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    analysis / postaday2011 / reading / writing practice

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  • Reading | in | Between | The | Lines

    In art the object is the work produced by art, as much containing elements of empirical reality as displacing, dissolving, and reconstructing them according to the work’s own law. Only through such transformation, and not through an ever falsifying photography, does art give empirical reality its due, the epiphany of its shrouded essence and the merited shudder in the […]

    7/20/2011

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    Art History, Art Theory and Movements, Art Writing and Criticism, Culture Criticism, Philosophy, Theory

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    analysis / critical theory / philosophy / postaday2011

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