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Lately, I’ve been exploring language and its role in our perception and understanding of art. I thought I would dig through some Wittgenstein text to whet my appetite for some much-needed philosophical art writing I’m working on. Here’s an excerpt of what I’ve been noshing on… We are handicapped in ordinary language by having to describe, say, a tactile sensation by means of terms for physical objects such as the word “eye”, “finger”, etc. when what we want to say…
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Funny how a picture (any kind of picture) is a mere representation. I wrote a couple of posts about perception some time ago. One on eye anatomy and the other on eye anatomy related to mental capacity. So, it was great to see a Calamities of Nature comic strip paying homage to Magritte (and Foucault). Recently, I had a conversation with someone about new media not being able to escape language, which is one of the reasons why painting is not…
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Associated with the sixth edition of Yerba Buena Center for the Arts’ triennial exhibition “Bay Area Now” — a varied roundup showcasing artists inspired by the region and beyond — is a presentation by the performance troupe Big Art Group called “The People: San Francisco.” The site-specific outdoor extravaganza, which loosely recreates the story of Aeschylus’ “Oresteia,” combines live theater with real-time, large-scale video projection and features interviews with locals who voice their thoughts about democracy, war, terrorism and justice.…
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Artists and writers must be brought back into the bosom of the community, or at least, if the latter is considered to be ill, they must be assigned the task of healing it. ~ Jean-Francois Lyotard, French Philosopher and Literary Theorist
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In art the object is the work produced by art, as much containing elements of empirical reality as displacing, dissolving, and reconstructing them according to the work’s own law. Only through such transformation, and not through an ever falsifying photography, does art give empirical reality its due, the epiphany of its shrouded essence and the merited shudder in the face of it as in the face of a monstrosity. The primacy of the object is affirmed aesthetically only in the character of art as the…
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In art the object is the work produced by art, as much containing elements of empirical reality as displacing, dissolving, and reconstructing them according to the work’s own law. Only through such transformation, and not through an ever falsifying photography, does art give empirical reality its due, the epiphany of its shrouded essence and the merited shudder in the face of it as in the face of a monstrosity. The primacy of the object is affirmed aesthetically only in the character of art as the…
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