• Mommy Queerest by Kat Evasco and John Caldon

    As a writer, I’m constantly advised to “write what I know”. Yet, this depends on whether I’m courageous enough to share my story. It’s not difficult to write what I know but the things I know some people (specifically my family) may not care to know. For some time, I’ve grappled with being queer. The awkwardness doesn’t come from my partner’s family or my friends but MY family. The old school, traditional, Christian/Catholic Filipino way is that you don’t talk about whatever would (possibly) embarrass the family.

    When I tell friends I’m not out to my family, the response is usually one of surprise. I’m convinced they know but are either 1) in denial, 2) refuse to discuss or acknowledge, and/or 3) gossip about me. I have the visible signs and traits (i.e., large tattoos, asymmetrical haircut, etc.) and…

    Apparently, owning a cat makes you gay…

    …a cat (undeniably gay, I’m told). So, how does my family not know? And why am I not forthcoming about being queer? Despite what some consider obvious LGBTQ traits, some family members believe I’m straighter than a line. This past Saturday evening, I realized that I’m extremely (mentally) claustrophobic. Yes, I hate closets. I keep finding myself sneaking back in when I’m around people who are supposed to love me. I don’t like being asked the whereabouts of a non-existent boyfriend or why I’m not married and don’t have kids yet. After seeing Kat Evasco and John Caldon’s work, Mommy Queerest performed at Bindlestiff Studio in San Francisco (CA). It completely resonated with me, to say the absolute least.

    With an abridged history of the Philippines and Filipino American history, a microphone, and chair, the overall aesthetic for the show was minimal but engaging. Talented designer and artist friend, Aimee Espiritu, did the visuals for the show. With an overhead projector used to show transparencies of photographs and significant years in Evasco’s life, the visuals were reminiscent of a classroom lecture but with an entertaining and poignant narrative.

    Evasco’s extraordinary energy, unabashed delivery, and witticism had me believing there’s nothing wrong with me. I don’t need permission but witnessing her sharing her story was incredibly affirming. The life she shares with her audience in Mommy Queerest is something anyone can relate to. It’s not just for gay people, ya’ll. Past the petite frame and strong exterior, Evasco presents universal ideas of acceptance, forgiveness, determination, self-loathing, and love in this one-woman show. Despite Mommy being a work-in-progress, it was impressive to learn both her and co-writer John Caldon were able to pull off an initial run that speaks to so many people and with such depth. I’m looking forward to seeing this particular work evolve and develop.

    In Evasco’s own words, “This show is half payback to my mom for making me come out for both of us and half love letter to her for making me who I am.  She’s terrified I’m exposing every skeleton in our family closet — and she should be.  I might be Filipina-American, but cultural silence is non-existent in my world, so like an eager exhibitionist I’m letting it all hang out.

    ~Source: Article Cool Chick Comediene Kat Evasco Shines in “Mommy Queerest” by Percival Archibal

    Acting and divulging of one’s life is art and its (damn) hard work to stand up in front of people for 85 minutes straight (no pun intended) because, as a performer/actress/comedienne, you are trusting the fact that people want to hear the story or they wouldn’t be there. I laughed a lot, found myself nodding uncontrollably, agreeing with Evasco’s words and reflections, and allowing tears to run because there was a lot she touched upon that I can barely begin discussing with my mother and family. Most importantly, to see someone who reminds me of me, what I look like, how I feel, and how I would love to see the world is ridiculously wonderful and refreshing.

    Thank you, Kat Evasco. 🙂

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  • Here’s a video of Eclectic Method I took at the gala.

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  • Aaron Koblin (Artist and Board Member), Peter Hirshberg (Chairman), and Josette Melchor (Executive Director & Founder)

    While volunteering for the GAFFTA Galvanize Gala, I had the opportunity to meet Aaron Koblin before the big rush of people. Yes, was completely artist-struck and geeked out but he was incredibly sweet. I’m really happy I introduced myself because he noticed my GAFFTA Volunteer badge and thanked me for volunteering. Yet, another geek out moment happened when I met John Gage, he was extremely kind. Overall, seeing some of the Board Members and meeting GAFFTA Faculty was fantastic.

    Eclectic Method

    Eclectic Method DJed the event and I must say, I was pretty mesmerized by the pop culture montage. I captured some video and will post separately.

    GAFFTA Bling

    Finally, the GAFFTA bling created by talented artist Nicole Apetkar.

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  • Become a GAFFTA member and enjoy an amazing night at the Warfield! Purchase tickets by clicking here.

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  • ZERO1's new face!
    ZERO1's New Blog Spot

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  • Some slavic language
    Same slavic language but translated into English

    Now, imagine the spam above used to create art.

    A few posts back, I shared a performance/video art based on spam messaging. This time around, I wanted to post about artist, Alex Dragulescu. He’s been featured on c|net and USA Today. His art has been around for some time but it’s so àpropos considering my recent obsession fascination with the messages filtered as spam via my (blog) comments inbox. Spam is spam but every now and again, I receive a message I’m convinced some artist has remixed into something quite interesting. It shouldn’t come as much of a surprise that an artist has already done this. Dragulescu re-imagines and contextualizes what is virtually useless but potentially malicious to the common end-user. From computer viruses to intricate coding, his work turns spam messaging into a commentary on language, computational processing, and data visualization.

    The following artworks created by Dragulescu (click on the images to learn more about him and his work). Specifically, the images below were generated from the American Standard Code for Information Interchange (ASCII) values contained in spam messaging.

    Spam Plant by Alex Dragulescu ~ Image Source: Artist Website
    Spam Plant by Alex Dragulescu ~ Image Source: Artist Website
    Spam Plant by Alex Dragulescu ~ Image Source: Artist Website

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  • Screenshot of "Girl Geek Dinners Unite Smart, Funny Women" article

    One of the coolest things EVER…I got quoted in the Huffington Post (HP)! I know. Not a big deal to some folks that are probably accustomed to this on a daily basis but to someone like me, it’s pretty exciting. It also reminds me, I need to watch what I say. Ha ha. Seriously. I had a great conversation with HP journalist, Alexandra Weber Morales. Great conversation all around but it was nice to shed a bit of light on my interests at connecting with Women in the Tech world and all the interesting types of folks I get to meet and all the unique conversations and dialogue that ensues. In any case, check out the full length article here or click on the image above!

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  • Free Money Sticky Fingers from Hypermodern – Pete Ippel on Vimeo.

    Artist Pete Ippel created Free Money, Sticky Fingers specifically for “100 Performances for the Hole – Take Two” an art show curated by Justin Hoover at SOMArts Cultural Center in San Francisco, California, March 6th, 2010.

    ~ Text Source: Artist’s Vimeo Profile

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  • Invisible Canine (2011); Archival inkjet print; 48 x 40 in. Courtesy of Satellite 666.

    Bold lines, audacious coloration, and hidden images characterize Fernando Orellana’s latest series, Slideways, currently on view at the Satellite 66 Gallery. From painting to electronics to robotics, Slideways showcases Orellana’s multifaceted art practice in a series of 2-D works that combine traditional techniques with digital tools. Orellana rejects the notion that ‘painting is dead,’ instead demonstrating that postmodern works can abide by longstanding traditions, albeit through nontraditional tools. Orellana has found a way to create something wonderfully enticing and fresh at the convergence of old and new technologies.

    Orellana’s primary tools, a Wacom tablet and stream-of-consciousness method, allow him to produce prolifically. Orellana’s work, like neo-expressionist paintings, employs a wide array of color and bold, non-tentative line work. Because Orellana makes no preliminary sketches, his pieces emerge from his instinct in the moment and follow no particular order or guidance. The gesture of the work is steeped in the use of blind and modified contour drawing. Unlike the modern style, the work is filled with unmarked surfaces reserved purely for color rather than the textural quality and visible brushstrokes of Neo-Expressionism. In Invisible Canine (2011), the intense and laborious-appearing visual elements of line, shape, and form coalesce into a dense subject matter that not only make the canine visible but also a crucial part of the composition.

    Slideways engages a dialogue between the perennial traditionalist and postmodern artist. Orellana’s work presents an unlikely intersection of technology-enabled production and organic notions of the creative process. Slideways reminds viewers that, technological tools and seamless lines notwithstanding, the artist, not the technology, created this body of work.

    Slideways is on view at Satellite 666, in San Francisco, through December 31, 2011.

    Originally posted to Shotgun Reviews on Art Practical, please click here to view.

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