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What happens when the viewer has the ability to control placement of letters to form words with their body and through gesture? How does this form of participation translate to art? How does the interface dictate the way the work is received? Please view Camille Utterback’s work, Text Rain, and share your thoughts.
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Reinterpretations, remakes, and contemporary works are strategically placed throughout God Only Knows Who the Audience Is: Performance, Video, and Television Through the Lens of La Mamelle, engaging viewers in what is almost an infinite loop of observation that changes with every go-around. Douglas Davis’s The Last Nine Minutes (1977) welcomes viewers to the second floor of the exhibition. The video piece involves Davis walking around a space that simulates a dark cave. Viewers’ anticipation bubbles to the surface as they wait for him to…
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An amazing start to the weekend with Recology SF opening for Scott Kildall. I captured some video footage of Scott’s piece, Live Transmission. Kildall created the work using a turntable, DVD player, projector, wiring, and circuitry. The projection simulated a transmission of the distant future where humans salvage and re-create a world they once knew. By re-appropriating the technology we utilize today in this particular series presents an environment where the objects we discard outlive us and what might happen when…
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Sonami’s selected artist for the Spread exhibition was artist, Jacqueline Gordon. Yet another amazing artist that does incredible work exploring architecture and how sounds (whether from the outside coming into a designated space or synthesized sound) affects both the space and the listener. Hoping to see her featured on artist site, The Limner, soon. You can view her upcoming graduate show here.
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Although a pretty lengthy video, it’s worth the time and energy especially if you are into experimental music and abstract sounds. For the last installment of my reflections on the Spread Exhibition, which is unfortunately over, I’m working through the last pair that includes this incredible vanguard sound artist, Laetitia Sonami!
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A few photos from Southern Exposure of Kenneth Lo’s exhibition, every stone tethered to sleep/every presence wedded to stone
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Art / art gallery / bay area artist / conceptual / installation / kenneth lo / loss / memorial / memory / postaday2011 / ritual / San Francisco / Sculpture / Southern Exposure¶¶¶¶¶
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Having a father that was significantly older than my mother (older than my maternal grandfather as a matter of fact) made for an interesting childhood. Many funerals were attended. More than any other kid I knew. That being said, there was a familiarity with all the little details that outfitted such an occasion. The headstone alone was the summation of a person’s life – Name, Birth and Death Date. Perhaps, for the living (and, if money permit), an epitaph accompanied…
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Another (recent) short paper I wrote on artist, Fernando Botero, for the course, Contemporary Art: History and Theory taken at UC Berkeley Extension (for Post-Baccalaureate Certificate in Visual Arts). ************************************ One of the fundamental lessons in drawing class entailed drawing untold numbers of fruit, boxes and bags. The exercises were required to instill the importance of actually depicting what existed in reality versus what the mind believes or thinks exists. I was often reminded that we first see everything the…
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