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cyberfeminism? by Mindy Seu (excerpt) “Cyberfeminism cannot be reduced to women and technology. Nor is it about the diffusion of feminism through technology. Combining cyber and feminism was meant as an oxymoron or provocation, a critique of the cyberbabes and fembots that stocked the sci-fi landscapes of the 1980s. The term is self-reflexive: technology is not only the subject of cyberfeminism, but its means of transmission. It’s all about feedback. Rooted as it is by feminism, cyberfeminism is an imperfect umbrella term. The history of feminism is…
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Every morning, I flick at my smartphone screen and read the news. I watch for some of my favorite writers in art, technology, and cultural criticism. I used to marvel at how quickly some of my favorite writers and journalists could produce content in such a prolific manner. But having done that made me spiral into some major neuroses about my writing as well as assuming the impostor syndrome. Sure, I make a fine editor because it’s always easy to…
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There’s nothing like spending a quiet night with a hot cup of tea and reading for pleasure! While the Rushkoff book is directly related to my research, it’s an easy and accessible read on a relatively complicated issue of programming and contemporary culture. I plan on finishing up Saturday afternoon. As for The Influencing Machine by Brooke Gladstone, I’ve eyed this book since it came out and finally picked up with Program or Be Programmed. I’m a huge sucker for…
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EDICOLA OFFICIAL PRESS RELEASE This March 15th, 2012, marks the opening of a reinvention of the traditional newsstand. Colpa Press will partner with the Central Market Street Revitalization Program to create a venue for artist books, prints, and albums, on the corner of Market and 6th Street. Edicola is dedicated to providing a platform for emerging artists to reach their community through support from the public and by repurposing a kiosk that would otherwise be vacant. The stand will feature artists and musicians, both local…
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bay area / carissa potter / colpa press / luca antonucci / media / newsstand / printing / printmaking / publishing / San Francisco¶¶¶¶¶
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It is the whole traditional world of causality that is in question: the perspectival, determinist mode, the “active”, critical mode, the analytic mode – the distinction between cause and effect, between active and passive, between subject and object, between the end and the means. It is in this sense that one can say: TV is watching us, TV alienates us, TV manipulates us, TV informs us…In all this, one remains dependent on the analytical conception of the media, on an…
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