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Conceptual artists do not set out to make a painting or a sculpture and then fit their ideas to that existing form. Instead they think beyond the limits of those traditional media, and then work out their concept or idea in whatever materials and whatever form is appropriate. They were thus giving the concept priority over the traditional media. Hence Conceptual art.
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Few artistic movements are surrounded by so much debate and controversy as conceptual art. For conceptual art has a tendency to provoke intense and perhaps even extreme reactions in its audiences. After all, whilst some people find conceptual art very refreshing and the only kind of art that is relevant to today’s world, many others consider it shocking, distasteful, skill-less, downright bad, or, and most importantly, not art at all. Conceptual art, it seems, is something that we either love…
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Are we to paint what’s on the face, what’s inside the face, or what’s behind it? ~Pablo Picasso Although art, technology and conceptual art are deep seeded passions, I’m a sucker for a great painting. Illustrative and figurative work often straddles between commercial and fine art. Then again, it depends on what the artist is trying to achieve with highly representational and figurative works. Kenney Mencher’s exhibition, Renovated Reputations, currently showing at ArtHaus showcases what a skilled draftsman can create with…
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arthaus / bay area / bay area artist / kenney mencher / narrative / painting / postaday2011 / story telling / vintage¶¶¶¶¶
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Jean-Michel Basquiat, Fallen Angel, 1981 Genius Child This is a song for the genius child. Sing it softly, for the song is wild. Sing it softly as ever you can – Lest the song get out of hand. Nobody loves a genius child. Can you love an eagle, Tame or wild? Can you love an eagle, Wild or tame? Can you love a monster Of frightening name? Nobody loves a genius child. Kill him – and let his soul run wild.…
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The acceptance of woman as object of the desiring male gaze in the visual arts is so universal that for a woman to question or draw attention to this fact is to invite derision, to reveal herself as one who does not understand the sophisticated strategies of high culture and takes art “too literally,” and is therefore unable to respond to aesthetic discourses. This is of course maintained within a world – a cultural and academic world – which is…
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Art, not unlike raising children,…may entail much sacrifice and periods of despair, but, with luck, the effort will produce something that outlives you. ~ Michael Kimmelman, Art Critic and Historian
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