• Oh, hello, I would like to get some help. I’m wondering, do you have this outfit in all Black? I’m going to an art opening tonight…

    Click on Wonder Woman to see one of my Art Heros…

    I’ve always wanted to be a bit of a Super Hero. Granted, I’m not going to spin myself into a frenzy trying to convince people to have an intelligent conversation about Modern and Contemporary Art with me. Rather, I’d like to think I can engage with others (who express a sincere interest and earnest effort in understanding art) without judgement and welcome open ended exchange of ideas. Hoping I can inch you ever so gently into understanding how art is in a constant state of change and evolution…

  • All of Rembrandt's Eyes

    In contemporary art, it’s not only about the retina, which disappoints a few people I’ve spoken with over the past week (I’ve got a lively post baking in the oven! You will just have to wait and see what I’m talking about). Truthfully, I’m unable to deny the sense of sight being that my day job involves assisting in the oversight of ophthalmic trials, which is quite the interesting parallel to my life outside of the office. Being such an avid follower of the Arts, it makes sense that I’m going to relate (almost everything in my life) to Art. However, recent conversations and suggestions have led me to believe that discussing one topic on a weekly is probably much more effective use of my brain and gives both of us (yes, you, dear reader) ample time to explore topics to have a deeper, richer dialogue.

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    Our senses can deceive us, especially the sense of sight. With art evolving and constantly being re-defined, I wanted to start out with eye anatomy, primarily, because it’s the way in which many people engage and participate in the arts. People rely on their sight to give them the data and information required to form a perception. I am aware that this topic can and will go in many directions but I’m trying to create some foundation (more for myself than anyone else). As the week progresses, we’ll see how the other senses come into play. 

    In any case, I’ve attached the guide to “How the Eye Sees” (Courtesy of WebMD).

    Your Guide to How the Eye Sees (as posted on WebMD)

    Travel inside the eyes — our window to the world — and learn how they allow us to see objects both far and near.

    In order to see, there must be light. Light reflects off an object and — if one is looking at the object — enters the eye.

    The first thing light touches when entering the eye is a thin veil of tears that coats the front of the eye. Behind this lubricating moisture is the front window of the eye, called the cornea. This clear covering helps to focus the light.

    human eye

    On the other side of the cornea is more moisture. This clear, watery fluid is the aqueous humor. It circulates throughout the front part of the eye and keeps a constant pressure within the eye.

    After light passes through the aqueous humor, it passes through the pupil. This is the central circular opening in the colored part of the eye — also called the iris. Depending on how much light there is, the iris may contract or dilate, limiting or increasing the amount of light that gets deeper into the eye. The light then goes through the lens. Just like the lens of a camera, the lens of the eye focuses the light. The lens changes shape to focus on light reflecting from near or distant objects.

    This focused light now beams through the center of the eye. Again the light is bathed in moisture, this time in a clear jelly known as the vitreous. Surrounding the vitreous is the retina.

    Light reaches its final destination within the photo receptors of the retina: the retina is the inner lining of the back of the eye. It’s like a movie screen or the film of a camera. The focused light is projected onto its flat, smooth surface. However, unlike a movie screen, the retina has many working parts:

    • Blood vessels. Blood vessels within the retina bring nutrients to the retina’s nerve cells.
    • The macula. This is the bull’s-eye at the center of the retina. The dead center of this bull’s eye is called the fovea. Because it’s at the focal point of the eye, it has more specialized, light sensitive nerve endings, called photoreceptors, than any other part of the retina.
    • Photoreceptors. There are two kinds of photoreceptors: rods and cones. These specialized nerve endings convert the light into electro-chemical signals.
    • Retinal pigment epithelium. Beneath the photoreceptors is a layer of dark tissue known as the retinal pigment epithelium, or RPE. These important cells absorb excess light so that the photoreceptors can give a clearer signal. They also move nutrients to (and waste from) the photoreceptors to the choroid. Bruch’s membrane separates the choroid from the RPE.
    • The choroid. This layer lies behind the retina and is made up of many fine blood vessels that supply nutrition to the retina and the retinal pigment epithelium.
    • Sclera. Normally light does not get as far as this layer. It is the tough, fibrous, white outside wall of the eye connected to the clear cornea in front. It protects the delicate structures inside the eye.

    Signals sent from the photoreceptors travel along nerve fibers to a nerve bundle which exits the back of the eye, called the optic nerve. The optic nerve sends the visual signals to the visual center in the back of the brain where the experience of vision occurs.

    Now light, reflected from an object, has entered the eye, been focused, converted into electro-chemical signals, delivered to the brain and interpreted or “seen” as an image.

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  • ·

    Hope | Resilience | Human Spirit

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    Bye Bye Kitty!!! Between Heaven and Hell in Contemporary Japanese Art Exhibition at Japan Society

    In a densely urbanized, highly stratified society situated in the heart of an earthquake zone, the fear that the worst could easily happen lies at the back of many minds. ~David Elliott, Independent Curator

    The past week has been a sobering reminder of nature’s uncontrollable force. As much as we would like to understand it, whether it be through science or art; the fact still remains that it is unpredictable as it is powerful. Yet, the human spirit is resilient and reflective on how such a catastrophe forces the best human qualities to surface and assist in efforts to connect and re-build. The Bye Bye Kitty!!! Between Heaven and Hell in Contemporary Japanese Art exhibition at the Japan Society in New York is a timely show that provides those of us miles away from the devastation a look into both the culture as well as the country’s psyche. In the desire to understand other human beings, the hope is that we better understand ourselves in order to provide authentic and present engagement.   

    One of my favorite New York Times art writers, Holland Cotter, published an art review titled, Anxiety on the Fault Line, regarding the Bye Bye Kitty!!! show. It is, certainly, worth the read.

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  • Open to Artists Seeking Professional Growth

    The Rock Paper Scissors Collective (RPSC) is an Oakland (CA) based organization that seeks to connect with the Bay Area community. Currently, they are seeking artists (all kinds) for their Professional Development Series called, “Artist’s Thrive”. It’s a 16 week series that explores many facets involved in both creating and promoting one’s work. The series breakdown is as follows:

    * Resume & CV

    * Documenting your work

    * Online Presence

    * Proposals and Exhibits

    * Promotions & Press

    * Fundraising & Sponsors

    * Institutes & Programs

    * Legal Aid & Contracts

    * Commissions

    * Sponsorship & Collaboration

    * Creating Public Work

    * Conceptual Collaboration

    If you’re interested, please visit the RPSC website here.

     

  • Showing at Southern Exposure (SOEX) Gallery

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  • Renovated Reputations: Paintings and Fiction inspired by Vintage Portrait Photographs

    With touch screen technology, social media, and high definition television, the traditional artist must find ways to captivate an audience in a digital age. Kenney Mencher‘s, Renovated Reputations: Paintings and Fiction inspired by Vintage Portrait Photographs, forthcoming exhibition at the ArtHaus gallery is, certainly, a show that piques my interest.

    In reviewing his work, there is definitely a progression in both style and content. The Renovated Reputations should be a treat to individuals not familiar with his work and impressive to those that have followed him over the years. Much of my excitement is seeing him take his strengths (storytelling and fine art painting) and creating compositions that are engaging with a striking energy that is difficult to deny. I’ll post more after seeing the show, which opens on Friday, April 8th.

  • Miles Epstein, “Mining the Store”, 2011

    Copper, postage stamps, maps, cardboard, found pump, soil, lettuce seed

    25″ x 39″ x 25″

    I took a little video and rendered it 60’s Home Video style for your viewing pleasure at the Manufactured Organic opening at Root Division Gallery(San Francisco, CA).

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