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This cartoon about blogging was originally published in the New Yorker in 2005 and created by Alex Gregory. Think about that…2005. Blogging has been around for decades though. Technology moves fast and I’m sure many of you weren’t on the internet as much in 2005 (or maybe you were, tech folks, obviously, but my mother – not as much). I’m not going to get into the technical history on this post but you can check out this CNET news article…
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Please view the Fast Company article here to learn more about these amazing visualizations created by artists, Cullen Miller (music), Nik Hanselmann (visuals), and Gray Area Foundation for the Arts (GAFFTA)! Being a GAFFTA volunteer, I get to work with these incredible minds!! 🙂
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No joke. I’ve got some serious writer’s block the size of the Transamerica Pyramid building. It doesn’t help that I imagine a block of this size wedged into the Temporal lobe of my brain. Granted, this is all imaginary but my brain is feeling the effects of overuse at this very moment. Overall, it has been a great week and I had the opportunity to meet some smart, innovative minds while volunteering at the Summer of Smart event @ Gray…
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If you’re a performance and/or sound artist, please download the PDF of the Micromanagement Deadline Memo here.
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Today, I had the opportunity to look at Luca Nino Antonucci’s work from his current show, COLLAPSE, at the Wire + Nail Gallery (San Francisco, CA) showing until August 21, 2011. The content of the show is based on light from 13.5 billion years ago. Using advanced photographic technology, which includes an infrared camera along with a multi object spectrometer indicating distance, Antonucci creates an array of paper based work that illuminates (pun intended) what the human eye is unable…
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In art the object is the work produced by art, as much containing elements of empirical reality as displacing, dissolving, and reconstructing them according to the work’s own law. Only through such transformation, and not through an ever falsifying photography, does art give empirical reality its due, the epiphany of its shrouded essence and the merited shudder in the face of it as in the face of a monstrosity. The primacy of the object is affirmed aesthetically only in the character of art as the…
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In art the object is the work produced by art, as much containing elements of empirical reality as displacing, dissolving, and reconstructing them according to the work’s own law. Only through such transformation, and not through an ever falsifying photography, does art give empirical reality its due, the epiphany of its shrouded essence and the merited shudder in the face of it as in the face of a monstrosity. The primacy of the object is affirmed aesthetically only in the character of art as the…
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