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Bold lines, audacious coloration, and hidden images characterize Fernando Orellana’s latest series, Slideways, currently on view at the Satellite 66 Gallery. From painting to electronics to robotics, Slideways showcases Orellana’s multifaceted art practice in a series of 2-D works that combine traditional techniques with digital tools. Orellana rejects the notion that ‘painting is dead,’ instead demonstrating that postmodern works can abide by longstanding traditions, albeit through nontraditional tools. Orellana has found a way to create something wonderfully enticing and fresh…
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bodyfuck: gestural brainfuck interpreter. “HI” from nik hanselmann on Vimeo. This is an artist you need to keep you eye on…seriously. His name is Nik Hanselmann.
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What: Third Strike: 100 Performances for The Hole When: December 10, 2011, 5:58PM–midnight Where: 934 Brannan St. (between 8th & 9th) How Much: $10 suggested donation Each performance lasts just two minutes and takes place in, around, in contradiction of, or is inspired by “The Hole,” a 100-year-old mechanics pit in the floor of the SOMArts Main Gallery. Past performances have included the unorthodox usage of bodily orifices, a set from a heavy metal band, and ritualistic offerings. Who knows what may transpire this…
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Check out essay, Project Projects: Slides, PowerPoints, Nostalgia, and a Sense of Belonging by Orit Gat on Rhizome.
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To learn more about Nik’s work, please click here. Currently working on a piece about Nik’s work. He’s an incredibly intelligent, talented, and humble guy. I couldn’t help but reflect on something he shared with me recently about Video and Programming (related to new media arts). Here’s what he said… I am a big believer that work should perform and be as it is — that whatever phenomena that you are trying to describe be embedded in the work itself. But I also…
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One of the most intriguing things about the world-wide web is its virtual tumbleweed of randomness (aka Spam messaging). In the past couple of days, I received about 20+ spam messages in my WordPress Comment Inbox BUT this one in particular intrigued me. First, I have a strange fascination with its length. Quite frankly, I can’t help but look at it. I don’t dare read it word for word but what would happen if I did? Or, reading parts versus the whole? It’s not the humdrum message…
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Last night, I accompanied Danielle Siembieda, Community Engagement and Special Projects Manager for zero1, to Girl Geek Dinner (GGD) held at Perforce, a Tech company in (Downtown) Alameda, CA. Granted, it’s some distance away from Silicon Valley but seemingly filled with just as much energy and innovation (if not more). You can read more about Perforce’s revision control system here. Upon entering the GGD, friendly, smiling faces welcomed me (as well as a lot of pink and purple decor). In the main office downstairs, everyone was preparing…
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BLEU NUIT from Sabrina Ratté on Vimeo. My videos are often the result of experiments with tools and softwares that anyone can have access to. The challenge is to find ways to use these tools in order to create new forms and new perspectives on the aesthetic of video. I am mostly inspired by the diverse manifestations of light; artificial, electronic or natural. Recently I’ve been exploring the possibilities of generating light through video feedbacks, and in finding new ways…
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I couldn’t resist. Yes, this post is about the Chia Pet (random, I know). For the holiday season, the company has made a Chia Pet out of the President. Quite frankly I’ve always wanted one just because it’s such a novel way of getting into horticulture. Okay, so that’s not exactly true but the prospect of plant and sculpture all-in-one is pretty neat. A bonsai tree is so much work but that’s the plant I really want! Anyway, the commercial served as a reminder to…
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writer | artist | scholar
Dorothy R. Santos, Ph.D. 