• Okay, so this particular data set may not be such a happy one but it's interesting, isn't it?

    In recent musings regarding art and technology, digital/multi media arts has given me heart palpitations (in a good way, of course). Innovation is an integral part in bridging communities, cultures, and sub-cultures. A hybrid approach seems to be taking actual data and making it beautiful. Visit Information is Beautiful on the web. Again, exploring both realms can actually serve both Traditional and Digital/Multi-media artists. More recently, memories of Edward Tufte‘s work have been resurfacing from the crevices of my mind. I remember learning about Tufte’s work right out of college when I started the corporate grind. Not only did I find myself fascinated and engaged by statistics (wish that was the case when I was in college), I was able to relate information far better. Visual representation deals with aspects of politics, economics, culture, and society that seem far from my insular understanding of particular topics (i.e., US deficit or when people report break ups on Facebook because THAT is extremely important (no, not really)). It broadens the scope. Granted, I’m not letting go of my affinity for the traditional art and I’m not jumping on some bandwagon taking me straight to the to the Digital Arts Rally in some downtown plaza, which would probably be via Skype anyway (insert laugh track here – thank you, thank you, I’ll be here all week). I’m advocating that people start expanding and evolving their understanding of what constitutes art. You would be surprised, I know scientists that don’t consider modern and contemporary works of art as Art! Yes…and these individuals have the capacity to research and create change towards medical advancement. You would think such individuals have the capacity to think outside constructs outside of science but no. So, imagine other individuals. 

    Besides, I’m starting to think you can’t have one without the other. Yup, chicken and egg argument all the way on this one.

    For you (or pass onto to someone you know may be interested) that WANT to delve into the world yourself…check out this call for entries!

  • Oil Rig, gelatin transfer print, Day 1 by Elyse Hochstadt
    Oil Rig, gelatin transfer print, 4 Weeks Later by Elyse Hochstadt

     

     

     

     

     

     

     

     

     

     

     

     

    If you’re familiar with some of my earlier posts, you would know one of my art crushes is Elyse Hochstadt.

    I’ve been following Ms. Hochstadt’s work and happy to report that she will be showing work at Root Division at the Manufactured Organic show! Much of her recent work focuses heavily on materiality and immateriality. The beauty lies in the fact that much of her work takes patience due to the material transforming and morphing into an artifact. If you are free on the Saturday, March 12 from 7-10 pm, please show your support.

  • How is it possible that something synthetic can create sounds you hear in nature (rain falling for example)?

    Zimoun’s kinetic sculptures simulate the organized chaos that runs our world. The hum of machines, the noises we hear on a daily basis. He seems to conjure up what is natural through his sculptural work that is composed of nothing but man-made material. It’s amazing, his depth for knowing how to create such order with a keen awareness and appeal to both auditory and visual senses. His work is meditative. Imagine Tara Donavon but with a soundtrack. I’m just bummed I missed his show at the Gray Area Foundation for the Arts. I’m on a mission now…track down an exhibition and/or travel to one of his shows (amongst many other Art related To-Dos). His is definitely a must see.

  • Technology on its own just isn’t as fun. It needs art. To some extent, I do agree with the following…

    The production of too many useful things results in too many useless people. ~Karl Marx

    Artists are extremely USEFUL people.

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  • [Traditional Art enters the room]

    Dorothy (DS): Hey Traditional!! I’m glad you could make it. I really wanted you to meet my friend, Digital. I know you’ve heard a lot about her. She’s amazing! Just like you!

    Traditional: I don’t know about this. I’ve heard a lot about Digital. She moves way too fast. I mean, all those connections. Who knows where all those wires have been?! Are you sure this is a good idea? I’m okay with all the painters and sculptors, you know. They like me but it is starting to get a bit boring from time to time. Oh, I had some time and passed by this exhibition where your voice controlled the piece! Crazy chaotic drawing that looked like a bunch of blind contours. Anyway, it was pretty cool. Look, I don’t want to give up all my drawing and painting and I just got into sculpture. You’re right though. I need to connect with more people. This is still scary for me. You know how shy I am. I still don’t know about this. What if she doesn’t like me?!?

    [Traditional, nervously, steps away to retrieve her sketchbook and pencils to doodle for a bit]

    DS to Traditional: Don’t take too long. She’s gonna be here any minute now.

    [DS, quickly, walks to the monitor and sees Digital]

    DS to Digital: Heya Digital!! [We exchange emoticons. Our waves are in slow motion so it’s faster to send a smiley face with teeth! Yes, this meeting is virtual. What did you expect?]. How have you been? I haven’t seen you in like, oh, I don’t know, 2 minutes! That’s a long time!!

    Digital: I know, right? So, yeah, I’ve gotta get back to connecting the world but I know you’ve been wanting to introduce me to someone? Where is she? You told me she’s classic. You know how I love perennial style. I’m getting hard pressed by all the ladies who swing all these gigs and fancy script around. It takes more than code and all these fancy pimped out externals to get me going. I don’t mind slowing things down a bit too. I’ve got a soft spot for craftiness, an affinity for Olympia typewriters. Yeah, you know what I mean, right? Oh, if I could draw with some pencils without all these vectors and Wacom tablets. I don’t know. I’m starting to feel like Data from Star Trek.

    DS to Digital: Oh, umm, hold on a second.

    [DS moves away from the monitor and has TA take a seat in front of the monitor]

    DS Voice: Traditional meet Digital. Digital meet Traditional.

    TA and DA [simultaneously]: Ummm, hi.

    Will they get together? Will their lines get crossed? Who knows?!? This is only the beginning…stay tuned. Yes…I had an imaginary friend when I was growing up. I’ll try to make the next installment a juicy one! 😉

  • Artist: Trevor Paglen

    Art writer, Christopher Knight wrote an entry for his Los Angeles Times blog, Culture Monster, about artist Trevor Paglen last September. His work has been unforgettable since then. Chronicles of satellites and planes doing reconnaissance work in the night sky play an intriguing yet integral part in our collective understanding of our (militaristic) history. Paglen’s work is allegorical and shows how modern technology can affect our understanding of topics such as politics, economics, and the act of seeing. I find myself much more engaged with history than ever before through his illuminating (pun intended) work. It was great seeing an interview on dailyserving.com about his current show.

    …the sublime arises from those moments where we can sense that we cannot sense let alone understand something. This brings us to the “aesthetic” dimension of the work….Historically, aesthetics has often been linked to notions of freedom: ambiguity and the sublime can be quite powerful and is something visual art can be quite good at dealing with. So it’s important to me that it’s a part of my work, but the underlying “relational” and ethical aspects of the work are crucially important. Without them, it’s just pretty pictures. And there’s no reason to care about pretty pictures. ~Trevor Paglen

    The work seems simple to understand. They’re photographs. What’s so difficult about understanding a photograph? Nothing too distressing to the retina. Yet, Paglen’s work takes patience, knowledge of the landscape, as well a desire to comprehend our relationships to these vast landscapes. Meshed with his scientific background in geography, the work serves as a marker of the unnatural way in which human movement and action are surveyed.

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  • Southern Exposure (aka SOEX) is hosting the 2011 Monster Drawing Rally this Friday, February 25!

    As I’ve mentioned, I’m such a doodler at heart. Drawing is not only cathartic but an opening to the imagination. Oh, where a line can take you. Now, for as low as $10, you can visit the Verdi Club in San Francisco’s Potrero Hill district and witness many of the Bay Area’s finest draftsmen and women draw their hearts out right in front of a live audience. If you’re not doing anything and want to help SOEX raise much-needed funds to keep their programs and gallery going, you will want to bring yourself and some friends to a night full of drawing and making new friends. You will LOVE it!

  • Art School Confidential by Daniel Clowes

    Don’t have unrealistic expectations. If you wanna make money, you better drop out right now and go to banking school, or web site school, anywhere but art school. And remember, only 1 out of 100 of you will ever make a living as an artist. ~Professor Sandiford, Art School Confidential (played by John Malkovich)

    The aforementioned quote from movie, Art School Confidential, had me laughing but remember what Freud said about jokes, there’s a smidgen of truth in them. Talk about artists swimming upstream! It’s no wonder artists struggle both individually and within a community. With the artist’s plight in mind, I couldn’t help but think of depictions of the artist’s temperament. Many adjectives describe artists; genius, edgy, quirky, eccentric, abstract, literal, narrative, conceptual, derivative, and the list goes on. Artists (including art professors and professionals) aren’t spared from stereotypes. I told you the obvious, I know. We’re all subjected to looking at the world through a Gestalt lens to help organize our experiences and knowledge and the art world certainly doesn’t elude categorization (as much as it may want or like to). Music, books, and film have all showcased different impressions of artists, art professors, and professionals. Confinement to the couch the past couple of days had me bundled up and watching movies to pass the time. Woody Allen‘s Vicky Christina Barcelona and Art School Confidential directed by Terry Zwigoff based on Daniel Clowes work provide interpretations and stereotypes of the artist’s mind.

    In examining others (whether through real life tales or a fictitious stories), inevitably, we examine ourselves. Who doesn’t? The instances I find myself being judgmental; often times, I either want what is not presently in my life (that which I’m seeing, reading, or listening to – the inevitable act of comparing) or I see aspects of myself I don’t particularly like. In Vicky Christina, Juan Antonio and Maria Elena are a carefree, highly sensitive, romantic, volatile, and poetic couple while Art School Confidential transforms comic book representations of art school archetypes but falls flat. Both are pretty extreme in their depictions. Sadly, I wish Art School Confidential wasn’t made into a film. When brought to life, the characters were just as two-dimensional (if not more) than the actual comic from which they were derived from. Unlike Daniel Clowes other graphic novel film adaptation, Ghostworld; Art School Confidential couldn’t mimic the richness and versimilitude of Enid (main character from Ghostworld). Even the stereotypes seemed over the top but I’m glad I watched it. As for Woody Allen, I hope he knows not all artists look as hot as Javier Bardem and Penelope Cruz, that drinking and smoking in bars is a ridiculously romanticized view, and artists aren’t all that tortured and polyamorous (well…maybe, in some instances, he may be right). Honestly, I loved Annie Hall way more. Artists and the art world aren’t that inaccessible and exclusive. Far from it! Then again, who wants to watch a movie filled with artists that get along and make a good living (why am I the only one raising my hand here!!).

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    The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life.  ~William Faulkner

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  • You do not need to leave your room. Remain sitting at your table and listen. Do not even listen, simply wait, be quiet, still and solitary. The world will freely offer itself to you to be unmasked, it has no choice, it will roll in ecstasy at your feet. ~Franz Kafka

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