Dorothy R. Santos, Ph.D.

writer | artist | scholar

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Dorothy R. Santos, Ph.D.

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Archive

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Tag: conceptual art

  • The Body as Art

    I’m tired and quite frankly I want to go to sleep. Now that I’ve got that thought out of the way, let me write a little something before I lay my head down. Who needs sleep anyway? I mean, really! I was painting as a young artist and mostly I was painting these clouds and […]

    1/19/2011

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    Art, Artist’s Philosophy, Performance and Conceptual, Photography

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    Art / body as art / christine wong yap / conceptual art / experimental art / Guillermo Gómez-Peña / la postra nostra / marina abramovic / new york moma / other / participatory art / performance art / postaday2011 / source material in art / the body / the self

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  • Sunday is supposedly the Day of Rest…

      Yet, I had to write a little something about the next piece I’m working on – La Pocha Nostra. Yesterday, I attended the Corpo Illicito: The Post Human Society #69 performance piece at the SOMArts Cultural Center. There’s a lot of processing going on but I wanted to forewarn you of any photos I may […]

    1/16/2011

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    Art, Film, Performance and Conceptual, Visual Arts

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    Art / conceptual art / corpo ilicito / experimental art / Guillermo Gómez-Peña / la pocha nostra / performance art / postaday2011

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  • It’s All a Blur…not really

    It’s All a Blur is far from a blur when you consider the show’s theme does not really have much to do with temporality. Walking through the exhibition is nothing like walking through a flurry of sales at the mall or a bustling city block. The Blur artists take what is often fuzzy in our lives and sharpens our focus. […]

    1/6/2011

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    Art, Art and Technology, Digital Art, Film, Multi Media, Performance and Conceptual, Photography, Post Modernism, Visual Arts

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    Art / art community / art writing / artspeak / bay area / collaborators / conceptual art / drawing / justin hoover / performance art / postaday2011 / San Francisco Art Institute / somarts cultural center / writing

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  • Portrait of George I by Elyse Hochstadt

    With the valiant effort of keeping with my “art diary” format and writing as much as possible in the new year (every day to be exact), I figured it would be nice to write about a Bay Area artist. I’m hoping to learn more about her work as well as her processes as the year progresses. There will […]

    1/3/2011

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    Art, Art Practice, Artist’s Studio, Visual Arts

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    art practice / arts / bay area / conceptual art / contemporary craft / elyse hocstadt / fine arts and craft / postaday2011 / San Francisco Art Institute / san francisco bay area / Sculpture

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  • Garage Biennale Book – Now Available!

    Art is supposed to be an experience. Don’t you think? Well, I do. These days, it’s not enough for me to look at something on a canvas or a neatly stacked collection of combs (okay, so if it’s Sonya Clark, I know the combs are ridiculously magnificent looking and rife with cultural subtext and history. […]

    12/22/2010

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    Art, Art and Technology, Film, Performance and Conceptual, Photography, Visual Arts

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    alternative art space / art practice / artists / book / conceptual art / contemporary art / contemporary art history / experimental art / garage biennale / justin hoover / performance art / San Francisco / San Francisco Art Institute

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  • A History of the Body by the Pagbabalik Project

    Who said beauty doesn’t matter? Similar to art, beauty’s ubiquitous and enigmatic nature is ever-present in our visual landscape. It is not just on billboards, in magazines, or the growing number of photographs we see of others (i.e., seeing our own ‘beautiful’ friends on social networking sites as we all re-define self-portraiture in this digital age) but even deep seeded in our histories, […]

    12/20/2010

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    Art, Performance and Conceptual

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    Art / art community / conceptual art / ethnic studies / filipino / performance / performing arts / Philippines / poetry / San Francisco / writing

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  • Public Isolation Project

    Being on medical leave (for knee surgery) subjected me to RICE (Rest, Ice, Compression, Elevate – Thanks, BFF and Google), reading and playing Words with Friends (via my iPhone). Since I love being outdoors, taking walks (anywhere and, sometimes, aimlessly), it’s safe to assume the recuperation period has been challenging and makes me rather talkative […]

    11/10/2010

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    Art, Art Theory and Movements, Performance and Conceptual, Photography, Post Modernism

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    conceptual art / isolation / media / public isolation project / social networking / technology

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  • A nice new addition to the blog roll…

    Hello Friends! Please check out 101 Conceptual Art Ideas. It’s a clever blog about, well, you guessed it, Conceptual Art Ideas. You can actually find the link under “art places/spaces” under the Links section! Some of you may ask, “Why do you love this blog, Dorothy?” Answer: It’s simple. It starts a dialogue. Please visit […]

    10/22/2010

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    Art, Art Theory and Movements, Artist’s Studio, Post Modernism

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    Art / art dialogue / art is everywhere / art process / art talk / conceptual art / creative commons / ideas / post modern / post post modern

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  • Re-contextualizing Moral Optics of Foucault and Botero by Eduardo Mendieta

    Another (recent) short paper I wrote on artist, Fernando Botero, for the course, Contemporary Art: History and Theory taken at UC Berkeley Extension (for Post-Baccalaureate Certificate in Visual Arts). ************************************ One of the fundamental lessons in drawing class entailed drawing untold numbers of fruit, boxes and bags.  The exercises were required to instill the importance […]

    8/26/2010

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    Art, Visual Arts

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    Abu Ghraib / biopolitics / Botero / conceptual / conceptual art / contemporary art / Eduardo Mendieta / foucault / gallery / gender constructs / human cognitive processes / human condition / morality / museum / painting / philosophy / philosophy of art / photography / Representation

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  • Sophie Calle: Absence of the Artist

    From the documentation of sleepers to a man’s description of his life through the experiences of his colleagues, friends and family, Calle’s work emphasizes the absence of the artists to create portraits and capture universal ideas of contemporary life.

    5/26/2010

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    Art, Performance and Conceptual

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    aesthetics / anonymity / conceptual art / contemporary art / contemporary life / detachment / documentation / experiences / exquisite pain / fabrication / human condition / human interaction / identity / intimacy / linda weintraub / melodrama / modern technology / personal relationships / photography / portraits / sensations / sophie calle / suite venitienne / the notebook man / universal ideas / voyeuristic

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